Global Film & TV Wrap: Streaming Levy Rejected, ‘Squid Game’ Record, Box Office Heats Up, and Legal Battles Continue on July 4, 2025

Global Film & TV Wrap: Streaming Levy Rejected, 'Squid Game' Record, Box Office Heats Up, and Legal Battles Continue on July 4, 2025

London, UK – July 4, 2025 – The global film and television industries are navigating a complex landscape of policy shifts, regulatory updates, major financial decisions, and evolving consumption patterns, according to key developments reported on Friday.

In a significant decision for the broadcasting sector, the UK Government has formally rejected calls for implementing a 5% levy on streaming platforms. This move concludes a period of deliberation regarding potential new funding mechanisms for public service broadcasting, opting instead against the imposition of a direct tax on the revenues of digital streaming giants operating within the United Kingdom.

Industry Leadership and Festival Futures

The leadership landscape for prominent cultural events is also seeing change. The Zurich Film Festival is set to embark on a new era under the stewardship of a new ownership group, led by Christian Jungen. This transition signals potential strategic shifts and creative directions for the acclaimed Swiss festival, which holds increasing importance on the international festival circuit.

Simultaneously, major digital platforms are advocating for the formal recognition of content creators. YouTube has taken a proactive stance, advocating for digital creators to be formally recognised as a profession. This effort highlights the growing economic significance of online content creation and aims to validate the work of individuals shaping digital culture.

Corporate Finance and Legal Scrutiny

Corporate governance and legal matters continue to draw attention, particularly involving major media conglomerates. A key focus remains on Paramount Global, where a co-CEO defended the $16 million settlement reached in the lawsuit related to the Trump ’60 Minutes’ interview. This defense comes amid heightened scrutiny, with prominent political figures like Senator Elizabeth Warren having demanded an investigation into the terms and implications of the settlement, raising questions about corporate accountability and journalistic standards.

Further legal developments impacting creative industries include the resolution of the lawsuit stemming from the tragic ‘Rust’ production. ‘Rust’ crew members have settled a lawsuit concerning the incident, though the specific terms remain undisclosed. This settlement marks a step towards closure for some involved in the on-set tragedy.

On Capitol Hill, a legislative battle has seen a notable provision removed from a proposed bill. The Senate has voted to remove a provision from what has been termed Trump’s “Big, Beautiful Bill”. This specific provision would have implemented a blanket prohibition on states from regulating AI for a decade, indicating ongoing debate and differing views within the government regarding the appropriate level of state versus federal oversight for artificial intelligence technologies, which have significant implications for media and content creation.

Box Office Performance and Streaming Records

The global box office continues to rebound, showcasing the appetite for theatrical releases. The new film ‘F1’ has demonstrated robust opening performance, grossing an impressive $144 million in its opening weekend. Meanwhile, the animated favorite ‘Lilo & Stitch’ is closing in on a significant milestone, nearing the $1 billion benchmark globally, underscoring its enduring popularity and strong international performance. Looking ahead, ‘Jurassic World Rebirth’ is generating considerable anticipation and is projected to gross $127.5 million in its first five days of release, suggesting a strong start for the latest installment in the blockbuster dinosaur franchise.

On the streaming front, original series continue to break records. ‘Squid Game’ series 3 has achieved a phenomenal viewership milestone, accumulating a record 60.1 million views in just 3 days since its release. This performance underscores the continued global phenomenon status of the South Korean series and the immense power of platform originals to capture massive audiences rapidly.

Production Updates and Critical Perspectives

Production activities are ramping up for highly anticipated sequels. Filming has commenced for ‘The Devil Wears Prada 2’, with acclaimed actor and director Kenneth Branagh joining the cast. This development signals progress on the follow-up to the popular fashion-world comedy-drama.

Meanwhile, prominent filmmakers continue to engage in public discourse regarding contemporary cinema. Director James Cameron offered a pointed critique of Christopher Nolan’s acclaimed film ‘Oppenheimer’, describing it as a “moral cop-out”. Cameron’s comments add to the ongoing critical debate surrounding the historical accuracy and thematic handling of Nolan’s biographical thriller.

UK Regulatory Landscape

The regulatory environment in the UK is also undergoing significant updates. Ofcom, the communications regulator, is implementing new measures, having set out more online protections under the Online Safety Act. This move is part of the ongoing effort to create a safer online environment for users. Additionally, Ofcom has published its final decision on BBC’s radio expansion proposals, clarifying the future scope and direction of the public broadcaster’s radio services. In parallel, the UK Parliament has published its response to a report on British film and high-end television, outlining its views and potential actions concerning the health and future development of the domestic production sectors.

These varied developments across policy, finance, production, and distribution reflect a dynamic and rapidly evolving global entertainment industry on Friday, July 4, 2025, grappling with technological change, regulatory challenges, and shifting audience behaviors.

Author

  • Tyreek Washington

    Tyreek Washington is a music and tech writer from Chicago, whose early love for music drove him to self-teach technology skills so he could afford to make digital music. His journey led him to earn a programming degree and secure positions as a soundboard manager at prominent recording studios and music festivals, as well as a programmer for Amazon. Craving a shift from the corporate routine, Tyreek turned to journalism, where he now combines his self-taught tech savvy and profound musical knowledge to report on the latest trends and innovations in both fields. His articles, rich with insight and expertise, establish him as a respected voice in the music and technology industries, connecting deeply with his audience.

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