Nation of Language Releases “Dance Called Memory,” Marking Expansive Evolution and Acclaimed Sub Pop Debut

Nation of Language Releases “Dance Called Memory,” Marking Expansive Evolution and Acclaimed Sub Pop Debut

Brooklyn’s own synth-pop trio Nation of Language has unveiled their highly anticipated fourth studio album, “Dance Called Memory,” released on September 19, 2025, via the esteemed Sub Pop Records. This marks a significant milestone for the band, not only as their debut on the iconic independent label but also as a testament to their continued artistic growth and expanding sonic palette. The music contained within “Dance Called Memory” represents a nuanced evolution, blending their signature nostalgic electronic sound with a renewed emphasis on raw, human emotion and adventurous instrumentation. This release is already trending among music enthusiasts worldwide.

A Sound Forged in Memory and Modernity

“Dance Called Memory” delves deeper into the emotional landscapes that Nation of Language has explored since their 2020 debut, “Introduction, Presence”. While the album proudly carries the torch of late 1970s and early ’80s synth-pop and minimal wave, it simultaneously pushes boundaries. Influences ranging from New Order and Depeche Mode to the more experimental textures of Brian Eno and even the guitar work of My Bloody Valentine are woven throughout the ten-track collection. Produced once again by Nick Millhiser, known for his work with LCD Soundsystem and Holy Ghost!, the album feels both familiar and refreshingly new. Critics have noted a “grittier, humanized” sound, with a more prominent incorporation of guitars and textured percussion, moving away from their previous “glassy synths and bouncy melodies” towards something more “raw, personal, and resonant”. This shift allows the band’s music to feel more “lived-in” and less polished, a deliberate choice to reflect the album’s introspective themes.

The album’s title, “Dance Called Memory,” is a direct statement of intent, with each track treating memory as a dynamic force that shapes present experiences. Frontman Ian Richard Devaney has spoken about this thematic core, noting a particular influence from Brian Eno’s philosophy of creating synthesized music that feels distinctly human, especially in an era increasingly defined by artificial intelligence. This focus on the human condition, empathy, and connection offers a counterpoint to the often cold, mechanical aspects of electronic music, aiming to leave listeners with a sense of shared understanding rather than hopelessness. Songs like “Now That You’re Gone” are deeply personal, inspired by Devaney’s experiences witnessing his parents care for a terminally ill godfather, translating profound grief into poignant melodies.

From Pandemic Soundtrack to Expansive Tour

Nation of Language has maintained a prolific release schedule since their formation, with “Dance Called Memory” following “Introduction, Presence” (2020), “A Way Forward” (2021), and the Rough Trade Album of the Year recipient “Strange Disciple” (2023). Their previous albums often served as soundtracks to the collective experiences of the pandemic era, offering relatable, “gorgeous” sonic escapes. This new album, however, feels like a definitive step into a broader, more complex soundscape, perfectly suited for their growing international stature. This artist’s latest offering is already making waves in music news.

To support “Dance Called Memory,” the band has embarked on an extensive 51-date international tour, showcasing their evolving music to a global audience. The tour includes sold-out hometown shows at Warsaw in Brooklyn on September 19th and 20th, 2025, marking a celebratory return to their roots. Their North American leg extends through October, followed by a significant UK and European run in November. This expansive tour reflects the band’s rising profile and their commitment to connecting with fans through their compelling live performances. Notable performances include their largest headline appearances to date at London’s Roundhouse and Berlin’s Columbiahalle. The recent releases from the band have been met with critical acclaim.

A Pivotal Moment for the Artist

“Dance Called Memory” is not just another album; it’s being recognized as a pivotal moment for Nation of Language. While the core elements that fans have come to love – the emotive vocals, pulsing synthesizers, and infectious hooks – remain, there’s a palpable sense of growth and daring. The inclusion of more guitars and a willingness to embrace a less-than-perfect, more textured production gives the album a distinctive character. Singles like the chart-topping “Inept Apollo” and the introspective “I’m Not Ready For The Change” showcase this dynamic range, demonstrating the artist’s ability to craft both danceable anthems and deeply moving ballads. As Nation of Language continues to ascend, “Dance Called Memory” solidifies their position as a vital and evolving voice in contemporary music, proving that even within familiar genres, profound new expressions are always possible.

Author

  • Tyreek Washington

    Tyreek Washington is a music and tech writer from Chicago, whose early love for music drove him to self-teach technology skills so he could afford to make digital music. His journey led him to earn a programming degree and secure positions as a soundboard manager at prominent recording studios and music festivals, as well as a programmer for Amazon. Craving a shift from the corporate routine, Tyreek turned to journalism, where he now combines his self-taught tech savvy and profound musical knowledge to report on the latest trends and innovations in both fields. His articles, rich with insight and expertise, establish him as a respected voice in the music and technology industries, connecting deeply with his audience.

    View all posts